Keats and longfellow analysis

Thus alone can we attain To those turrets, where the eye Sees the world as one vast plain, And one boundless reach of sky.

Literature essays and discussion

Indeed it may be said that his finest poems were his last. The changes in nature are represented in his poem. In several essays of Longfellow's appeared in the North American Review, and in he published Hyperion: The sea-fight far away, How it thundered o'er the tide, And the dead captains as they lay In their graves o'erlooking the tranquil bay, Where they in battle died.

His boyhood was spent mostly in his native town of Portland, which he never ceased to love, and whose beautiful surroundings and quiet, pure life he has described in his Keats and longfellow analysis, My Lost Youth.

His own works were, at the time, being translated worldwide and he was considered to be one of the greatest American poets. How to cite this page Choose cite format: This creates three separate sections denoted by number with a beginning and an end, which symbolizes the beginning and end of each stage of life birth, development, perfection.

The actual incident, a literal call to arms for the Revolution, required less mythologization. This stanza and the last one after it are very important.

How careful he was to quench no smoking flax! It is a season of beauty and energy that is second to none.

Poem of the week: The Tides by Henry Wadsworth Longfellow

In the second stanza, Longfellow gives us a further description of the person blacksmith. The speaker wonders about the ever changing nature of human life and wishes to bypass that.

Thus at the flaming forge of life Our fortunes must be wrought; Thus on its sounding anvil shaped Keats and longfellow analysis burning deed and thought. Children love to see the bellows which produce sounds like roaring.

His sojourn in Europe fell exactly in the time when, in England, the reaction against the sentimental atheism of Shelley, the pagan sensitivity of Keats, and the sublime, Satanic outcastness of Byron was at its height; when, in the Catholic countries, the negative exaggerations of the French Revolution were inducing a counter current of positive faith, which threw men into the arms of a half-sentimental, half-aesthetic medievalism; and when, in Germany, the aristocratic paganism of Goethe was being swept aside by that tide of dutiful, romantic patriotism which flooded the country, as soon as it began to feel that it still existed after being run over by Napoleon's war-chariot.

Nevertheless it has a certain historical importance, for two reasons — 1 because it marks that period in Longfellow's career when, though he had left nature, he had not yet found art, and 2 because it opened the sluices through which the flood of German sentimental poetry flowed into the United States.

A man in intellect and courage, yet without conceit or bravado; a woman in sensibility and tenderness, yet without shrinking or weakness; a saint in purity of life and devotion of heart, yet without asceticism or religiosity; a knight-errant in hatred of wrong and contempt of baseness, yet without self-righteousness or cynicism; a prince in dignity and courtesy, yet without formality or condescension; a poet in thought and feeling, yet without jealousy or affectation; a scholar in tastes and habits, yet without aloofness or bookishness; a dutiful son, a loving husband, a judicious father, a trusty friend, a useful citizen and an enthusiastic patriot, — he united in his strong, transparent humanity almost every virtue under heaven.

This denotes autumn as a happy time period that bustles with the creation of life.

A Psalm of Life

Thanks, thanks to thee, my worthy friend, For the lesson thou hast taught! He stayed in Germany for a year after her death, lost in Romantic poetry which went on to influence his subsequent work.

In this stanza, the poet is relaxed and he is telling us about the soft side in the heart of this strong blacksmith who goes to attend the church every Sunday with his family. As I told earlier, Longfellow is a person who is a poet as well as a preacher who always tends to tell us the right path to go ahead.

His whole life was bathed in that sympathy, that love which suffers long and envies not, which forgives unto seventy times seven times, and as many more if need be. How many young literary people, disappointed at the unsuccess of their first attempts, did he comfort and spur on to renewed and higher efforts!

Though not a great poem, it is full of beautiful passages, many of which point to the riddle of life as yet unsolved, a conviction which grew ever more and more upon the poet, as the ebulliency of romanticism gave way to the calm of classic feeling. To how many sad hearts did he come Keats and longfellow analysis an angel, with the rich tones of his voice waking harmonics of hope, where before there had been despair and silence?

He always took it for granted that they had come to see Washington's study, and, accordingly, took the greatest interest in showing them that. He was never too busy to see a caller, to answer a letter, or to assist, by word or deed, any one that needed assistance.

This establishes a greater unity within the whole poem that represents how all life forms are united within nature. By invoking children in the opening line of his patriotic poem, Longfellow implicitly defines his narrative as a story the older generation considers important enough to pass down to posterity.

His aim was to impress upon her familiar facts and aspects the seal of his own gracious nature. He tells us that the blacksmith has long, black and crisp hairs. The theme is all about the desire to live in a stable or unchangeable state just like the star.

On the one hand, it widened his sympathies, gave him confidence in himself and supplied him with many poetical themes; on the other, it traditionalized his mind, coloured for him the pure light of nature and rendered him in some measure unfit to feel or express the spirit of American nature and life.

Upon returning he took a teaching position at the college and married Mary Storer Potter in However, his experience dominated his consciousness, and he felt compelled to capture his experience of nature in all of its beautiful perfection.Aug 15,  · Compare/Contrast When I Have Fears and Mezzo Cammin Make sure you post more detailed comments, though, that show analysis; do not just agree/disagree with others.

Reply Delete. The difference between Keats and Longfellow is that, their perspective towards death is. Henry Wadsworth Longfellow (BornDied ) Organized Collections of Poems: Ballads and Other Poems Belfry of Bruges Birds of Passage Books of Sonnets Keats King Trisanku King Witlaf's Drinking-Horn.

L. The Ladder Of St. Augustine The Leap Of Roushan Beg L'Envoi The Lighthouse. The Analysis of "Songs of Innocence" – A Collection of Poems written by William Blake The Interpretation of "A Poison Tree" – A Poem written by William Blake Analysis of The Arrow and the Song by Henry Wadsworth Longfellow.

Shmoop guide to The Churchyard in Paul Revere's Ride. The Churchyard analysis by PhD students from Stanford, Harvard, and Berkeley Paul Revere's Ride by Henry Wadsworth Longfellow. Home / Poetry / Paul Revere's Ride / Longfellow increases the tension in the early parts of the poem.

When I Have Fears” and “Mezzo Cammin” by John Keats and Henry Wadsworth Longfellow respectively, have similar themes such as the inevitability of. Longfellow → Longfellow (disambiguation) – In the same manner that Wordsworth redirects to William Wordsworth, Coleridge to Samuel Taylor Coleridge, Keats to John Keats, Dickens to Charles Dickens and Thoreau to Henry David Thoreau, so should Longfellow redirect to Henry Wadsworth Longfellow who is most frequently referenced by his surname.

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Keats and longfellow analysis
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